THE FACES OF ISLAMIC FILM REPRESENTATION OF FASHION AND MAKE-UP: CONTENT ANALYSIS OF IMAM'S FILM
Wajah Filem Islamik Representasi Busana dan Solekan: Analisis Kandungan Filem Imam
Abstract
Costume and makeup are two aspects of a film that might convey the genre of its creation and the final setting in an Islamic film. Despite this, the portrayal of the film itself can be given a multitude of interpretations by the clothes and makeup of the characters and personalities shown. As a result, the goal of this study is to examine how costume, fashion and makeup are used in Islamic films in relation to how da'wah is portrayed in the context of the storylines. The primary protagonists in the film Imam (2023), which was directed by Mior Hashim Manap, are Malays who are Muslims and reverted Muslims (mualaf) of Dayak heritage. This study used content analysis of the costumes and make-up of those main characters. The primary protagonists in the film Imam (2023), which was directed by Mior Hashim Manap, are Malays who are Muslims and reverted Muslims (mualaf) of Dayak heritage. This study used content analysis of the costumes and make-up of those main characters. According to the study's findings, the clothes and makeup worn in the movie matched those worn by Muslims in the 1980s and were appropriate given the state of the culture at the time. In conclusion, the movie Imam is an example of an Islamic production that aims to express the essentials of da'wah through attire and makeup that are appropriate for the historical period and cultural context of the events depicted.
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